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    <loc>https://www.toddhignite.com/jaime-hernandez-original-art</loc>
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      <image:title>Jaime Hernandez Original Art - Los Angeles City Beat</image:title>
      <image:caption>One of the artist’s best self-portraits, surrounded by the full Locas cast providing assists! Los Angeles City Beat cover, December 16-22 issue, 2004. Ink on Bristol board, 14 x 11.”</image:caption>
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      <image:title>Jaime Hernandez Original Art - Penny Century #3</image:title>
      <image:caption>One would be hard pressed to find a better cover image of the ever-popular Penny—or a better ‘90s era Hernandez cover. Penny Century #3 cover, 1998. Ink on Bristol board, 14 x 9.”</image:caption>
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      <image:title>Jaime Hernandez Original Art - Rocky and Fumble</image:title>
      <image:caption>‘80s Hernandez perfection: Rocky’s Birthday Surprise, page 11, Love and Rockets #12, 1985. Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1512391623448-1920B72PQLX33CPQ8RU4/Jaime1.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Camp Vicki</image:title>
      <image:caption>A masterfully composed end page, featuring Maggie throughout: Camp Vicki, page 16, Love and Rockets #41, 1993. Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1512391661034-KYNZYT9PU5FRUQDNHB80/Jaime2.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Rocky and Fumble</image:title>
      <image:caption>A great early ‘80s page, beautifully paced: The Adventures of Rocky and Her Robot Fumble, page 6, Love and Rockets #9, 1984. Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1512391705944-O60LRPFP36IW54GUG1WV/Jaime3.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Wigwam Bam</image:title>
      <image:caption>A great sequence featuring Ray and Danita from one of Hernandez’s greatest stories: Wigwam Bam, Part 2, page 8, Love and Rockets #34, 1990. Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1512391771660-DQF84H81RP4O8NSNZMIG/Jaime4.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Camp Vicki</image:title>
      <image:caption>All-out wrestling action! The cartooning on this page is absolute perfection—a flawless page: Camp Vicki, page 9, Love and Rockets #41, 1993. Bonus: unused art on verso! Ink on Bristol board, 14 x 11.”</image:caption>
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      <image:title>Jaime Hernandez Original Art - Bob Richardson</image:title>
      <image:caption>An excellent backstage wrestling page featuring Maggie in every panel! Bob Richardson, page 8, Love and Rockets #48, 1995. Ink on Bristol board, 14 x 11.”</image:caption>
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    <image:image>
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      <image:title>Jaime Hernandez Original Art - Hester Square</image:title>
      <image:caption>Some wonderful Maggie moments and impeccable cartooning: Hester Square, page 3, Love and Rockets #47, 1995. Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1512392088969-36ZCAZWMH0EJH6V43NU9/Jaime8.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Angelitas Dos</image:title>
      <image:caption>Maggie and younger sister Esther are featured throughout this excellent example of Hernandez’s flawless ‘90s work: just marvel at that sixth panel! Angelitas Dos, page 4, Love and Rockets #45, 1994. Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1512392205724-6VMSPX2RVZ4ODLSF8QHA/Jaime9.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Camp Vicki</image:title>
      <image:caption>Wrestling queen Rena Titanon and Vicki Glory—back in the glory days. Camp Vicki, page 7, Love and Rockets #41, 1993. Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502392670152-QCX46SZOMF79DX58XHS6/LR1main.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Love and Rockets #1 Cover</image:title>
      <image:caption>Love and Rockets #1 (vol. 4) cover art, 2016. The main cover for the new magazine-format first issue, featuring an absolutely classic Locas image from their heyday. Ink and white paint on Bristol board, 14 x 11."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502713545063-0TG3NXIJTIKGKRTZ7CDO/CampVicki.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Camp Vicki: Maggie</image:title>
      <image:caption>An impeccable example of Hernandez’s lauded characterization, featuring Maggie in every panel—the cartooning on this particular page is sheer perfection. As a bonus, the verso features unpublished preliminary art. “Camp Vicki” page 10, Love and Rockets #41, 1993, ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502713203792-DD9RJY6UY7CCFLKBQADO/Wigwam.jpg</image:loc>
      <image:title>Jaime Hernandez Original Art - Wigwam Bam</image:title>
      <image:caption>A great Hopey page from one of Hernandez’s great, multi-part and definitive L&amp;R stories: “Wigwam Bam,” Part 5, page 12, Love and Rockets #37, 1992. The final panel is an absolutely classic image of ‘90s-era Hopey! Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
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      <image:title>Jaime Hernandez Original Art - House of Raging Women</image:title>
      <image:caption>A prime early Locas/Maggie page from the excellent story “House of Raging Women,” starring the great Rina Titanon! I’ve always loved that costumed female wrestler gliding through the middle panel, the type of background detail Hernandez has always excelled at. Page 7, Love and Rockets #16, 1986. Ink on Bristol board, 14 x 11.”</image:caption>
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      <image:title>Jaime Hernandez Original Art - Rocky and Fumble</image:title>
      <image:caption>An uncommonly early ‘80s Love and Rockets page from the fondly remembered Rocky and Fumble stories. “The Adventures of Rocky and Her Robot Fumble,” page 4, Love and Rockets #9, 1984. Ink on Bristol board, 14 x 11.”</image:caption>
    </image:image>
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      <image:title>Jaime Hernandez Original Art - Love and Rockets #3 (vol. 2) Cover</image:title>
      <image:caption>Love and Rockets #3 (vol. 2) cover art, 2001. Hernandez has always alternated between serious Locas-themed work, and fun shorter stories and cover images rooted in traditional comic book genres, of which this is a great example. Ink on Bristol board, 14 x 9."</image:caption>
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    <lastmod>2022-01-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1527003517768-YPYCUPRARTLOO4H5GKMI/Uwanna1.jpg</image:loc>
      <image:title>Daniel Clowes Original Art</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1527004156328-X2WMADPIPG9GTBKM7MCO/Uwanna2.jpg</image:loc>
      <image:title>Daniel Clowes Original Art</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1527003583305-25YBJBCJN48RKVYOFXG3/Uwanna3.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Uwanna</image:title>
      <image:caption>A rare complete 3-page story from Lloyd Llewellyn #5, 1987—and one of the great self-contained LLL yarns, starring fan fave Ernie Hoyle. One couldn’t find a better example of Clowes’ vintage style. And as an added bonus, Clowes will also supply the artwork for the special, climactic final panel! Ink and zipatone on Bristol board, with each page measuring 15.5 x 11.75.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1519830485869-CHTCI29CRU1IPUJ924NL/NYerFastFood.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - THE FOOD CHAIN NEW YORKER COVER</image:title>
      <image:caption>Great preliminary art for one of Clowes’ most popular New Yorker covers, the October 12, 2009 issue titled “The Food Chain.” The artist’s artwork for the august publication is virtually non-existent on the market. An excellent window into the Clowes’ working process and a great work of art on its own. Ink and pencil on paper, 11 x 8.5.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1511237664139-5OLC10S9GFM6A96RVW2C/Sawdust.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Sawdust</image:title>
      <image:caption>"Sawdust," 2008, complete single-page strip for the anthology Kramer's Ergot #7. A great, incredibly detailed complete story. Ink on Bristol board, 28 x 20.5 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1509625134622-KN5VP6U32551OSZPFKFV/SelfPortrait.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - DANIEL CLOWES SELF-PORTRAIT</image:title>
      <image:caption>A great 2010 self-portrait used for numerous features and interviews and published in the Wilson graphic novel. Ink on Bristol board (also contains inked detail overlays), 8 x 9 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1509625808050-10UNKZX14XX0RU2A0EXS/VelvetGlove.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - LIKE A VELVET GLOVE CAST IN IRON</image:title>
      <image:caption>Pages from Clowes’ first graphic novel Like a Velvet Glove Cast in Iron have become very difficult to track down, and this is an excellent example from the penultimate chapter, prominently featuring a struggling Clay struggling in the midst of impending doom. Page 119, Eightball #9, 1992. Ink and zipatone on Bristol board, 18.75 x 12.25 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1509625872788-FZCVOAC54A4COQ5VA26D/LettersPage.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - EIGHTBALL LETTERS PAGE</image:title>
      <image:caption>Eightball #21 Letters page art, 2000. The Eightball letters pages were classic, and this example features beautiful artwork, including the intricate Eightball lettering and great images of Clowes’ most popular characters, including Lloyd Llewellyn, Dan Pussey, and Enid from Ghost World. Ink and blue pencil on Bristol board (also contains inked lettering overlays for the upper right book titles), 19.5 x 14.5 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1509625734455-27VRPUB7JWKJV1DE59WL/ClaySketch.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - CLAY LOUDERMILK COVER SKETCH</image:title>
      <image:caption>Like a Velvet Glove Cast in Iron, first edition back cover sketch, c. 1993. A vintage and nicely definitive image of Clay! Ink and graphite on tracing paper, 12 x 5.5 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502710644257-77L2XTMOS6VLP2Q1ZH6Z/GWsketch.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Ghost World Criterion DVD Cover Color Sketch</image:title>
      <image:caption>A beautiful color sketch for the cover for the widely acclaimed 2017 Criterion Collection DVD release of Ghost World, featuring a classic image of Enid and Rebecca. Ghost World art in any format or medium is rare, as very little has ever been sold by the artist—and this is an absolutely great standalone image of Clowes’ most perennially popular characters. Ink and colored pencil on paper, 13.75 x 10.5.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502711000973-92A5QGEDYR6BXLCC3UOM/BlueItalian.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Blue Italian Shit</image:title>
      <image:caption>An excellent page from the autobiographical “Blue Italian Shit,” which chronicles Clowes stand-in Rodger Young’s coming of age in the late 1970s New York punk and art school milieu. Clowes’ originals from this era are large, immaculate, and extremely impressive in person, full of classic, memorable imagery (such as the punk girl in panel 5). Originally published in Eightball #13, 1994, the story was among the nine collected in the classic book Caricature, and pages from these stories, which are certainly among Clowes’ very best, are rare and coveted. Page 4, ink, white paint, and zipatone on Bristol board, 20..5 x 13.25.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502711207812-MPY2COWSPRN395U6L19G/NYer.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Man's Best Friend New Yorker Cover</image:title>
      <image:caption>As Clowes’ first ever cover for the New Yorker, the May 12, 2008 issue actually featured two cover images by the artist, each depicting stages of an urban bachelor building a robot pal, titled “Man's Best Friend.” This charming, detailed color sketch is for one of the published versions, and is an excellent insight into the artist’s working process. Ink and colored pencil on paper, 11 x 8.5.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1509738598402-M431DNGNHS13T3GVFT04/CaricatureSketch.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Caricature Sketch</image:title>
      <image:caption>A large sketch of the “Black Nylon” protagonist from the back cover of the first edition hardcover collection Caricature, 1998. The pose is a variation on the image that first appeared as the inside-front cover letters page in Eightball #18, 1997, where the classic story originally appeared. Such Clowes preliminary sketches look great framed. Graphite and colored pencil on paper, 14.25 x 10” (with additional 2” folded over).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502712592707-YZW6LM9NGT3GJCFZJEOH/SVSKETCH.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Silicon Valley Color Sketch</image:title>
      <image:caption>Clowes' 2017 key artwork for Season 4 of the acclaimed show was used extensively to promote the premiere, including on posters and billboards in Los Angeles and Times Square. Ink and colored pencil on paper, measuring a huge 24 x 16.5."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1497888361538-MA7UXVE2ES30NE9RIFIA/VelvetGlove.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Like a Velvet Glove Cast In Iron</image:title>
      <image:caption>All the main characters are featured in this dramatic, beautifully rendered color cover sketch for the brand new edition of the classic and influential graphic novel Like a Velvet Glove Cast in Iron. 2017, ink and colored pencil on paper, 14 x 11.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1497888382905-229XMHVZED2IBIS0DLYX/NYer1.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Boomerang Generation New Yorker Cover</image:title>
      <image:caption>A recent college graduate returns to the nest in this cover preliminary for the May 24, 2010 issue of the New Yorker, one of the artist’s most popular images. An excellent window into Clowes’ working process and, as typical of his tightly drawn sketches, a great work of art on its own. Ink and pencil on paper, 11 x 8.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502392088709-9PZ5WUB3ZJ0B6TEUE0C1/GhostWorldDVD.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Ghost World Criterion DVD Cover</image:title>
      <image:caption>Of the small handful of major paintings Clowes has created, this is the only example to ever be offered for sale. Such detailed, full-color paintings are created exclusively for significant projects, and this cover for the 2017 prestigious Criterion Collection depicts an iconic image of Enid and Rebecca, the main characters from Ghost World, perhaps Clowes’ most popular feature. Additionally, virtually no Ghost World art in any medium has ever been sold by the artist, so this painting represents a very rare opportunity. Gouache on heavy illustration board, an impressive 21 x 16.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502392040653-H7UFNOG1LLZ35HWVCBN1/FrankensteinFC.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Frankenstein</image:title>
      <image:caption>One of Clowes’ most elaborate illustrations, this book design for the 2007 Penguin Classics Graphic Deluxe Edition of Frankenstein—the complete artwork for the front cover (shown), back cover and spine, front, and rear flaps—encompasses a dramatic and boldly drawn self-contained comic strip, which intertwines selected key events from the classic story and functions as a uniquely Clowesian introduction to the text, as well as a short strip introducing Frankenstein author Mary Shelley.  This special series of classic books was of particular importance to contemporary comic art, as many of the best cartoonists—including Chris Ware, Charles Burns, Art Spiegelman, Ivan Brunetti, and Seth—were commissioned to create new covers for classic works of literature that strongly resonated with their particular sensibilities. Clowes’ cover stands out as one of the most striking aesthetic pairings, as well as one the most intricate designs, demonstrating the full capabilities and impressive range of the comic language. Ink on Bristol board, 4 pieces, with the largest measuring 19 x 14.5.” Additional images available upon request.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502391995596-Z3J47T4XKWG7NYAU8P1Q/PusseyIntro.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Pussey! Introduction</image:title>
      <image:caption>This large complete two-page strip from the 2006 softcover edition of the classic collection is one of the most important autobiographical comics Clowes has done, as well as both a complete origin story for the popular Dan Pussey character and capsule history of the comics industry from the 1970s through the early 1990s. Ink on Bristol board, each page 21 x 14.” Additional images available upon request.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502392148752-PRC6V1IYFRFH3MAFQZL3/Bizarro.jpg</image:loc>
      <image:title>Daniel Clowes Original Art - Bizarro Comics</image:title>
      <image:caption>A huge and boldly striking cover sketch for the legendary unpublished 2001 DC collection. Ink and pencil on vellum, affixed to paper, 21.5 x 14.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.toddhignite.com/adrian-tomine-original-art</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502394121852-4VLN46A5U0P2P6IAO400/K%26D_82.jpg</image:loc>
      <image:title>Adrian Tomine Original Art - Translated, from the Japanese</image:title>
      <image:caption>“Translated, from the Japanese,” complete 8-page story, 15” x 20”, ink and white paint on watercolor paper. Classic Tomine work, beautifully written and exquisitely paced, including three beautiful full-page splashes. Additional images available upon request.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502393285399-PYOFFOS6QMFJDZXYWI6U/K%26D_frontcover.jpg</image:loc>
      <image:title>Adrian Tomine Original Art - Killing and Dying, Wraparound Cover</image:title>
      <image:caption>Killing and Dying wraparound cover art, 14.25" x 20," ink, blue pencil, white paint on watercolor paper. The beautifully resonant cover art for Tomine's most widely acclaimed book.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1506953649766-GUH9QE2KJEY5VDXY5BX3/Hort12.jpg</image:loc>
      <image:title>Adrian Tomine Original Art - Hortisculpture page 12</image:title>
      <image:caption>“A Brief History of the Art Form Known as ‘Hortisculpture,’” page 12. One of Tomine's greatest stories, originally published in Optic Nerve #12 (2011) and collected in the landmark book Killing and Dying. These beautiful pages represent a very rare opportunity as they are the only examples from the artist's last several books to be offered individually, and because of the story structure, each is particularly nice on its own and functions perfectly as a self-contained artwork. 17 x 11.5,” ink and white paint on Bristol board.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.toddhignite.com/featured-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1494520584797-PI9HZZNEWE2ZWMF4R0TM/download+%286%29.jpeg</image:loc>
      <image:title>Featured Collection</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.toddhignite.com/julie-doucet-original-art</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502392514842-FCUYI4FDTZ4UAGVAE0GP/Calendar.JPG</image:loc>
      <image:title>Julie Doucet Original Art - Drawn &amp;amp; Quarterly 2000 Calendar Cover Painting</image:title>
      <image:caption>Drawn &amp; Quarterly 2000 Calendar cover painting, 1999. A gorgeous, highly detailed painting. Gouache on heavy illustration board, 10 x 10."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502392275641-NM5OYMG1O9M4O8OU6F7X/Acid.jpg</image:loc>
      <image:title>Julie Doucet Original Art - The Best Time I’ve Ever Had on Acid</image:title>
      <image:caption>"The Best Time I’ve Ever Had on Acid," complete 2-page horizontal format story, 1990, Dirty Plotte #4. An incredible example of the autobiographical work that brought the artist huge initial acclaim. Ink on Bristol board, each page 7.75 x 11."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1502392418730-6UU0HTPB5FNMOEBQDJ3X/AaahWomen.jpg</image:loc>
      <image:title>Julie Doucet Original Art - Aaah Women!</image:title>
      <image:caption>"Aaah Women!" complete 2-page story, 1993, Dirty Plotte #7. A rare complete story, richly layered and impeccably rendered in the artist's highly detailed style. Ink and zipatone on Bristol board, each page 14 x 8.5"</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.toddhignite.com/eric-sack-interview</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1507899685095-LZJH04H0Y6Q7LEWQM9CZ/EricSack.jpg</image:loc>
      <image:title>Eric Sack Interview</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.toddhignite.com/philip-guston-in-st-louis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1520360299852-EVZY756GK2X5AXIZI8AB/GustonLetter-p01+copy.jpg</image:loc>
      <image:title>Philip Guston and St. Louis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1520359280210-XL0CA5AZ6CCD2E9CP8WZ/GustonLetter-p02+copy.jpg</image:loc>
      <image:title>Philip Guston and St. Louis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1520359318143-HTCGUDS2L6NP43HECX1H/GustonLetter-p03+copy.jpg</image:loc>
      <image:title>Philip Guston and St. Louis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1520359345552-VH50NJ9W80WRR76WICCC/GustonLetter-p04+copy.jpg</image:loc>
      <image:title>Philip Guston and St. Louis</image:title>
      <image:caption>Images courtesy of College of Arts Records, Washington University Libraries, Department of Special Collections.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.toddhignite.com/chris-ware-original-art</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/1dadbf6b-113d-4ee3-b958-cec110b23260/ACME+8+Cover+Painting.jpg</image:loc>
      <image:title>Chris Ware Original Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/8388ab37-e367-471f-8154-fe3c3aa27b0c/ACME+8+Cover+Original.jpg</image:loc>
      <image:title>Chris Ware Original Art - Make it stand out</image:title>
      <image:caption>THE ACME NOVELTY LIBRARY #8 Original cover art for The Acme Novelty Library #8, 1997, in two parts. Ink art: Ink, white paint, and blue pencil on illustration board, 23” x 19.5.” Painting: Oil on panel, 20” x 17.5.” An absolutely key image from the Jimmy Corrigan era, reproduced as a two-page spread in Monograph, pp. 114-115.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5904c785579fb3c5cc4d9744/02ed0606-c4f5-4442-9f1d-9977427dd71b/Ware.jpg</image:loc>
      <image:title>Chris Ware Original Art - Make it stand out</image:title>
      <image:caption>LAST DAYS Original New Yorker cover, September 21, 2020. Ink, blue pencil, and white paint on heavy Bristol board, 29 x 20.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.toddhignite.com/brian-walker-interview</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-16</lastmod>
  </url>
  <url>
    <loc>https://www.toddhignite.com/the-old-switcheroo</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-16</lastmod>
  </url>
  <url>
    <loc>https://www.toddhignite.com/art-representation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-09</lastmod>
  </url>
</urlset>

